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Mary Damiano
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Mary Damiano’s Arts Scene

 

 

 

 

 

Miami Stories
Miami Stories

Miami Stories: A Breath of Fresh Air
Any organization planning a fundraiser should take note of “Miami Stories”, the event held Friday, March 24 at Fairchild Tropical Gardens and benefiting New Theatre.  The evening began with a pleasant cocktail party on the lawn of the gardens, followed by a family style dinner inside the facility’s hall.  During dinner, three short plays were premiered, each one based on the experiences of Miami residents who are prominent in the arts: PR whiz Charles Cinnamon, TV personality Lily Estefan and artist Romero Britto.  Cinnamon’s piece, a monologue about his life in the theatre and how he created the Coconut Grove Arts Festival , was brought to life by actor Bill Schwartz, who infused the piece with dashing Rat Pack swagger.  Estefan’s piece centered on her chaotic wedding on the eve of Hurricane Andrew, and as performed by Cecilia Torres, E.L. Losada and Rudy Mungaray, was laugh out loud funny.  Britto’s play, which centered on the inspiration he draws from his wife, was poignant and probably the one piece that had the least to do with Miami.  Director Ricky J. Martinez staged the first two plays among—and on top of—guest’s tables, while the last took place on stage.  The event was casual, unpretentious and a lot of fun, words that don’t generally apply to big fundraisers.  “Miami Stories” is on track to become New Theatre’s signature fundraising event, so don’t miss it next year.

Elaine Stritch
Elaine Stritch who has won a Carbonell Award for her performance in her one-woman show Elaine Stritch at Liberty, which played at the Maltz Jupiter Theatre in November 2004

And the Award Goes To…
The Carbonell Awards, which honor South Florida theatre, have announced the winners of the stock road show categories. The winners include The Constant Wife, a remake of the 1926 M. Somerset Maugham play, took the honor of Best Production, while the production of Hairspray that came to Fort Lauderdale in January 2005 won for Best Musical.  Two veterans took top honors in the acting categories: Harold Gould won for best actor for his breathtaking performance as Professor Morrie Schwartz in the Coconut Grove Playhouse’s production of Tuesdays With Morrie, while Elaine Stritch won best actress for her one-woman show, Elaine Stritch at Liberty, which ran at the Maltz Jupiter Theatre.  While the stock road show winners have already been announced, local winners in 20 categories are being kept secret until the April 10 ceremony at Broward Center for the Performing Arts, which will be hosted by Florence Henderson.  For the complete list of road show winners and for more information about the Carbonell Awards, visit www.CarbonellAwards.org.

Theodore Bikel
Theodore Bikel, star of About Time

On Stage
In the theatre spotlight, look for the openings of The Sunken Living Room, by local playwright David CaudleThe Sunken Living Room concerns a teenage boy trying to keep his family from falling apart in 1970’s Miami.  The play’s scheduled world premiere in New Orleans was cancelled when Hurricane Katrina hit, and this New Theatre production is in conjunction with New Orleans Southern Rep Theatre. This will be the last production at New Theatre’s (www.new-theatre.org) current Coral Gables location.  In August they open with their annual Shakespeare Project at their new space on Commodore Plaza in Coconut Grove.  The Sunken Living Room opens April 7 and runs through May 7. A little north at the Caldwell Theatre (www.caldwelltheatre.com) in Boca Raton, there’s the world premiere of prolific local playwright Michael McKeever’s The Impressionists, a play about the painters who birthed the impressionist movement in art.  The Impressionists opens for previews April 9, with its official opening night April 14 and runs through May 21.  About Time starring Theodore Bikel wraps up its Coconut Grove Playhouse run on Sunday, April 2, but moves to Parker Playhouse in Fort Lauderdale for a one week run that begins Tuesday, April 4.  Visit www.cgplayhouse.org for more info.  The Women’s Theatre Project will present an interesting event, Also, this is your last weekend to see the Mosaic Theatre’s production of Patrick Marber’s gritty comedy Dealer’s Choice, a tense but funny bitterly funny story about the players in an all-night poker game in London.   The marvelous set is the perfect framework for the top-notch direction by Paul Tei and the explosive performances by a terrific ensemble cast.  Dealer’s Choice runs through Sunday, April 2.

6 Women Turning 60 in 2006
The Women’s Theatre Project will present the irresistibly titled 6 Women Turning 60 in 2006, a production of six short plays written by women playwrights who each turn 60 this year.  Directed by Genie Croft and featuring a local cast of professional actresses, each performance will feature staged readings, birthday cake and talkbacks.   The production, was conceived by Donna Guthrie of California and Colorado and her sister playwright, Nancy Gall-Clayton of Kentucky, as an artistic response to the lack of progress in the portrayal of older women on stage and screen. They invited four other female playwrights, all celebrating their 60th birthdays this year, to help create a blockbuster 60th-birthday celebration, with each woman submitting a short play that reveals her take on issues related to women’s aging in America. The Women’s Theatre Project is one of six regional theatres where the production will be staged throughout 2006.  It all takes place April 6-8, 8 p.m. at the City of Oakland Park Library located at 1298 NE 37 Street in Oakland Park.  Call 954-462-2334 for reservations. 

Frances Sternhagen
The Alvin Ailey American Dance Theatre

Alvin Ailey Dances into Fort Lauderdale
The Alvin Ailey American Dance Theatre, one of the most famous and respected modern dance companies in the country, will perform this weekend only at Broward Center for the Performing Arts in Fort Lauderdale.  The company, under the direction of Judith Jamison, will perform three different programs in their four performances, including their most famous piece, Revelations.  Three South Florida natives, who all graduated from Miami’s New World School of the Arts, will perform with the company.  Amos J. Mechanic, Jr., who joined the company in 1996, is scheduled to be featured in the solo dance “I Wanna Be Ready” in Revelations on opening night March 31; Jamar Roberts, who joined the company in 2002 and Zach Law Ingram, who joined the company in 2004, will perform over the weekend.  For more information and to purchase tickets, visit www.concertfla.org.

A Reel Good Time
Cinema Paradiso, the year-round art house and home to the Fort Lauderdale International Film Festival, is the setting for several upcoming film festivals.  The Full Frame Documentary Film Festival runs April 6-9, and while it originates in Durham, North Carolina, it will be digitally syndicated to 11 venues around the country, including Fort Lauderdale.  Full Frame features a slate of provocative documentaries, including VH1’s The Drug Years, which will be screened Sunday, April 9 at 2 p.m. and is free to the public.  The film examines drug use in America and its impact on culture in the second half of the 20th century.  Next up, mummy-mania continues with “The King Tut Experience”, a presentation of films for those who can’t get enough of the boy king.  Screenings include the original Boris Karloff film The Mummy, the animated feature Prince of Egypt, along with Abbott and Costello Meet the Mummy, the Elizabeth Taylor Spectacular Cleopatra and The Curse of King Tut’s Tomb.  Admission is only $3 when you present your ticket stub from the Museum of Art’s exhibit “The Golden Age of the Pharaohs”.  Then, in collaboration with Florida Atlantic University, there’s the Argentinean Film Festival, which runs April 12-23, is titled “Pantalla de Plata: A Retrospective of Argentinean Film” and is organized by the Caribbean and Latin American Studies Program at FAU and the Department of Languages,  Linguistics and Comparative Literatures.  The Argentinean Film Festival features silent films, shorts and features, and includes an appearance by actress Adrianna Bianco, star of La Nina del Gato.  For more information about any of these festivals, visit www.CinemaParadiso.org.

Discovering Miami

Last Saturday I decided to take part in one of the many free cultural events offered in sunny South Florida, the Discover Miami guided bus tour.  Part of Dade Heritage Days, Discover Miami is a one-day event highlighting the cultures of the different neighborhoods of Miami.  The guided bus tour was free and seemed the perfect way to visit each area without the muss and fuss of driving and parking six different times.  My friend Mary and I began our tour at Temple Israel and boarded our bus, which featured tour guide Jonathan Rose.  Unfortunately Jonathan was not supplied with a microphone, so any historic and cultural information he gave the passengers was lost.  Our first stop was Little Haiti, which proved to be the most colorful of any of the neighborhoods.  Teenage girls in vivid costumes danced in the streets, while drummers beat out a catchy rhythm.  Then it was on to downtown, where a classic car show stretched for blocks down Flagler Street and musicians performed on the steps of the courthouse.  My friend Ellen Wedner was selling vintage Florida postcards and car memorabilia from a booth on Flagler, but she was the only one.  This is the stop where I began to see the missed opportunities of the event.  I had expected more of a festival atmosphere, with food and craft vendors and exhibits and such, but all of that was lacking.  Downtown, the only food options were local fast food places.  And the Native American section, newly added this year, was way up at the plaza in front of the Historical Museum, hidden from view.  This was one of the best sections, with native crafts, an alligator and traditional music and performers, but it was too isolated.  Little Havana featured a smattering of tables with Cuban handiwork, but trying to get a sandwich or a few croquettes at one of the Cuban eateries proved a challenge—not because of the crowds, but because no one seemed very interested in waiting on the hungry visitors.  Overtown featured one of the best presentations, with Corky Dozier giving visitors an informative talk about the history of the area as well as the In Motion exhibit at the newly restored Lyric Theatre.  Temple Israel also offered an interesting glimpse inside the cycle of Jewish life from birth to death.  The illustration of marriage was unintentionally funny, as it featured a Chuppah with bride and groom mannequins—the bride appeared to be a male mannequin, while the groom appeared to be Asian.  While it was an enjoyable day, the festival also left a lot to be desired.  My hope is that Discover Miami can be taken to the next level in coming years, to fulfill the potential of a true festival at each stop, with more historic and cultural information, more presentations and a more festive atmosphere.  So far, the attempt is half-hearted at best.

BAKELITE by I.Chase

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