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Making Beautiful
Music Together The South
Beach Chamber Ensemble Launches New
Season
By Ana Trujilo
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Thomas Moore, Michael Andrews and Michael
Linville of the South Beach Chamber Ensemble
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The Wisdom Course with Landmark
Education was where the idea for the South Beach Chamber
Ensemble (SBCE) was born.
Founder Michael Andrews came up
with the idea of the SBCE when participating in this
course.
Andrews began talking to people
in Miami Beach who were interested and what started out
as the occasional concert at Bass Museum in 1997 and
1998 has matured into a musical group that not only
plays all over Miami but all over the world, traveling
to places such as Budapest, Hungary and Rio de Janeiro,
Brazil.
People loved the concerts.
“There's a need for this chamber music,” says
Andrews. To feed this need the SBCE started playing more
concerts and applying for grants from the city of Miami
Beach, which they received in 1999 and continue to
receive today.
The group incorporated in 2001 and has been expanding
ever since. In addition to the support from the city of
Miami Beach, they now receive grants from Miami-Dade
County and The Florida Arts Board.
“We appreciate all the support of these various
governmental agencies,” says Andrews.
The musical selections the group performs are as
diverse as Miami itself. SBCE selects pieces from
composers that have their roots in Argentina, Brazil and
Uruguay.
“We like to do music from North and South America,”
Andrews says. “We like to highlight music from other
cultures.”
In September of this year, the group did a concert at
the Bass Museum called “Music in Motion: Miami to Rio”
which highlighted the works of Brazilian composer Heitor
Villa-Lobos (1887-1959).
SBCE recently returned from Rio de Janeiro where the
“Music in Motion: Miami to Rio” tour originally launched
in August. They played at the Villa-Lobos Museum, a trip
that was made possible by the grants they receive.
“It was really an honor for us to be playing at the
Villa-Lobos Museum,” says Andrews.
They are already funded to return to Brazil soon to
perform but the next time around they will be performing
in Sao Paolo and Buenos Aires, Argentina in addition to
Rio de Janeiro where they will perform music from
Argentina, Brazil, and the United States.
The group will also be highlighting music from South
Africa in their upcoming January concert.
In some cases, some of the players go way back with
each other. Andrews met violinist Thomas Moore as a
student at the University of Wisconsin where Moore was a
professor and Andrews his student.
The members that make up the South Beach Chamber
Ensemble are experienced in the realm of music.
Andrews, a cellist, has played with the Filarmonica
de Caracas in Venezuela, Naples Philharmonic, Southwest
Florida Philharmonic and the Symphony of the Americas.
In addition to playing in Venezuela, he taught at the
orchestra's conservatory.
Thomas Moore, violinist for the SBCE, is experienced
as a soloist, concert master and chamber musician. He's
played in the Pro Arte String Quartet and was
concertmaster of the Florida Philharmonic.
The pianist, Michael Linville has played with the San
Francisco Symphony, The New World Symphony, The
Breckenridge Chamber Orchestra, National Repertory
Orchestra, The Honolulu Symphony and Pasadena Symphony.
He also did a stint with the Florida Philharmonic.
Laura Wilcox, violist, is a founding member of the
ArtSouth Ensemble. She has played all over Canada,
Europe and the United States, being a principal violist
for both the Florida Grand Opera and the Miami City
Ballet Orchestra.
The SBCE launched its “Music in Beautiful Spaces”
2005-2006 Season on October 16 at the Bass Museum. The
concert featured the music of Haydn, Dvorak and Barber.
The “Music in Beautiful Spaces” series consists of
five concerts, continuing Sunday January 22, 2006, at 4
p.m. at Miami Art Central (5960 SW 57 th Ave, South
Miami).
On Thursday March 9, at 7:30 p.m., the group will
return to Bass Museum (2121 Park Avenue) and perform the
works of Hummel and Faure.
They will wrap up the series on Sunday May 7, at 4
p.m. at Miami Art Central.
“People may have preconceived notions that [chamber
music] is boring or old or stuffy but we think this
music is very vibrant and alive,” Andrews says. “We talk
to the audience…and people come away with a whole new
understanding of chamber music.”
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