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Theatre Reviews

Don Giovanni Frightens The Horses

By: Roger Martin atca on .

Don Giovanni

Ever since God/Someone/Something invented the male dangly bits, the males, delighted with and ruled by these bits, have pleasured and or terrorized the human race. And if you don't believe me, hurry on down to Florida Grand Opera's current production of Don Giovanni where you'll see the ultimate swordsman put his bits to use, amusing/offending/frightening 2065 women. Well, you'll actually see only four transgressions on stage but that should be enough for even the most avid opera fan.

It's the late 1940s in Seville, Spain and Don Giovanni (Don Juan, Casanova, Tiger Woods) is busy knocking off #2061, Donna Anna, or trying to. Her daddy, the...

“I Know, Let’s All Act Funny”

By: Roger Martin atca on .

God of Carnage

The audience leapt to its feet, filling the theatre with applause, as the curtain fell on opening night of God of Carnage at the Caldwell Theatre. But if I can be an intellectual snob for a couple of minutes I'd like to point out that five minutes into the show I thought, uh oh, it's Improv Night at the Caldwell and in the Category: Acting Styles, someone in the house has suggested “Sit-Com.”

God of Carnage, by French playwright Yazmina Reza who's given us such wonderful stuff as Art and The Unexpected Man, is a trifle by comparison. A hit on Broadway and winner of three Tony Awards including Best...

Memories Are Made of This

By: Roger Martin atca on .

Jenny McKnight and Gregg Weiner

She's in her late thirties. So is he. They meet again twenty-five years after they kissed and kissed again in the moonlight at the seaside. Not much to hang a play on. But playwright Stephen Belber has worked a ninety minute little gem, Dusk Rings A Bell, out of this reunion premise and director Richard Simon, with actors Jenny McKnight and Gregg Weiner, has provided the perfect setting: the stage at Mosaic Theatre.

Molly (Jenny McKnight) in PR for CNN in DC, is divorced, has slept once with her boss and breaks the fourth wall right from the get-go. In a lengthy monologue she spills her beans to us all. And...

“She's Got Astonishing Magical Powers”

By: Roger Martin atca on .

The Sparrow

That's what they say of Emily Book, heroine of The Sparrow now playing at the Adrienne Arsht Center. But truly, the phrase should be applied to the creators of this piece for the have spun together a piece so imaginative, enthralling and just plain fun that goggle eyes and bated breath rule the auditorium.

The set is simply a square wooden floor with suspended video screens on three sides. As show time approaches the 13 thirteen young adults playing teenagers and older adults meet on stage and wander around in front of the audience, warming up, hugging each other and the first thought is ugh, this is messy. But then suddenly The

Actors and Their Balls

By: Roger Martin atca on .

Gregg Weiner

No, I'm not talking about formal dances or even jugglers. It's all about the junk, man, at least according to Gregg Weiner, Best Actor in a Play winner, speaking at Monday night's 35th Annual Carbonell Awards Show.

Weiner credited NWSA Professor Andy Noble with teaching him to “act from his balls.” Unorthodox, maybe, but it's working. In 2009 Gregg won Best Actor for The Seafarer at Mosaic theatre, in 2010 he won Best Supporting Actor for Farragut North at GableStage and now he's continuing the streak with 2011's Best Actor for Fifty Words at GableStage.

In an evening where...

Here's A Big Fat Rave

By: Roger Martin atca on .

David Dearstyne, Mark Della Ventura, David Sirois, Kaitlyn O’Neill, and Shira Abergel

There's almost too much to like in Brothers Beckett, the new play by David Sirois receiving its world premiere at the Alliance Theatre Lab. And what a smart move by Adalberto Acevedo in choosing this piece and directing it. And what a smart move casting Sirois in his own play. And adding Shira Abergel, David Dearstyne, Mark Della Ventura and Kaitlyn O'Neill to give us five of the best young actors performing today.

Adelberto's direction elicits such natural performances from this group that the word “acting” doesn't come into it. You come alive with these kids...

THE GREAT AMERICAN SOAP OPERA

By: Roger Martin atca on .

Laura Turnbull and Annette Miller

If I should bump into you on the street and you tell me you still haven't seen August: Osage County at The Actors' Playhouse then shame on you. If you love good theatre you owe it to yourself to jump into this pool of drugs, alcohol, sex, incest, child molestation, death and snide humor now flooding the massive on-stage homestead of the Weston family.

I'm guessing that Tracy Letts, who wrote this three-hour-plus Pulitzer winner, had a grand old time dreaming up the drug addled matriarch, her alcoholic husband, their three daughters and various other emotionally hopeless inhabitants of Osage County, Oklahoma. He's probably still...

Just Plain Tasty

By: Roger Martin atca on .

superior donuts_ad_sm

I've got to say, if you put Avi Hoffman in a pot with Chaz Mena. Gordon McConnell, Marckenson Charles, John Archie, Patti Gardner, Paul Homza, Sally Bondi and Alex Alvarez and have Joe Adler stir them up, you'll get one scrumptious evening at the theatre. I'm raving here about Tracy Letts' Superior Donuts at GableStage.

There are four stars working here, each turning in terrific performances. Avi Hoffman is Arthur, owner of the Superior Donuts shop in Chicago and a Polish nebbish who dodged Viet Nam by running to Toronto. With his tie-dyed t-shirt...

Everything But The Play

By: Roger Martin atca on .

Josh Canfield and Tom Wahl/photo by Roger Martin

The acting is fine, the set is great, the lights and sound top notch; everything is just what you would expect from Caldwell Theatre's production of Next Fall. Except we seem to be watching a tear jerking TV melodrama that telegraphs its line right from curtain rise.

Warning! Plot revealed here. Fortyish man, Adam, gets twentyish boy, Luke, who can't/won't tell his parents he's gay. Man loses boy.

Next Fall opens in a hospital waiting room with Luke offstage awaiting surgery for a head injury. Flash back to Adam...

LAMENT IN A PAINTED ROOM

By: Roger Martin atca on .

Carolina Sa, Jesus Quintero, & Joseph Valbrun/Photo by Roger Martin

The rapid whispering is almost inaudible. It's coming from the large man pinned beneath the heavy wooden cross set on the floor. The cross is made from four by fours and bears blazing candles. The man is wearing an unbuttoned red shirt. His massive chest is covered in black hair. He wears black pants. The soles of his feet are black. His head is shaven and his short dyed ginger beard gives him a wild and Nordic look.

The whispering grows louder, the man slowly forces himself out from beneath the cross, he is chanting, faster and faster, perhaps a prayer. A young man at the end of the room slides...

We Really Don't Want To Know

By: Roger Martin atca on .

Front row L to R Elvire Emanuelle, Karen Stephens. Back row L to R Renata Eastlick, Lela Elam, Carey Hart.

We cringe in our seats. People don't do this. Not to other people. Not to any living thing. Let's think of puppy dogs and long walks in the rain. Anything but this. But we can't do it. We have to keep watching. And listening. The actors before us are recounting the horrors of life in Liberia in 2003 as the rebels fought the government of President Charles Taylor.

Opening its 2011 season with this show, Eclipsed, artistic director Genie Croft of The Women's Theatre Project has put Karen Stephens, Lela Elam, Elvire Emanuelle, Renata Eastlick, and Carey Hart in the jungle camp of a rebel leader known only as...

Waiting For Rosario

By: Roger Martin atca on .

A Bearded Lover

They're three black crows, crippled, scarred and demented, jerking crazily around the stage at The Promethean Theatre. They're actors Ursula Cataan, Gladys Ramirez and Deborah L. Sherman in the world premiere of The Bearded Lover by Juan C. Sanchez and they're three black-clad sisters in their house in Batista's Cuba in 1953. Ines (Cataan) limps with a cane and has agonizing arthritis, Lucia (Ramirez) needs crutches to help drag her twisted foot and Dolores (Sherman) has a badly burned face and also needs a cane to walk. And all are just as badly damaged emotionally.

Each year on this date Ines tries...

BOYS AND THEIR TOYS

By: Roger Martin atca on .

BOYS AND THEIR TOYS

Breathes there the man who has ne'er looked lovingly down at his wedding tackle and murmured softly, “Ah, there, you beauty.” Significant pause. Well, yes, according to the men at the Mosaic Theatre, there are many who have not spoken thusly to their private junk. These are the poor men who've left wives, girlfriends, mistresses, other chaps perhaps, all panting in frustration, for they're the men who suffer from the The Irish Curse, that joke of nature that hangs a peanut where a salami should dwell.

It's a grand cast, indeed, meeting one rainy night in a church basement in New York City. There's Ken Clement playing Joseph Flaherty...

A Sweet Miami Rose

By: Roger Martin atca on .

Christina Perdomo-Fernandez, Ivan R. Lopez, Melissa Almaguer, & Wayne E. Robinson, Jr

Sitting outside under clear Miami evening skies, temperature a little coolish, trees rustling in a faint breeze, the scent of newly spread redwood mulch and a comfortable chair. Ah. And just a few feet in front of me is a time worn back porch, an excellent set built by White Rose Miami for their inaugural production of proof. This is about as realistic as it gets, sitting in the backyard of Chicago mathematician Robert's house while, on the porch, he discusses madness with his daughter, Catherine. This is the fifth production of proof I've seen and it ranks amongst the best.

Oh, Woe! Audience Actors!

By: miamiartzine on .

Barbara Sloan/photo by Roger Martin

Let me rail here for a moment about audience participation, that show stopper which destroys all reality in the theatre. There's no doubt the participants enjoy the experience, and judging by the hoots and hollers, their friends and relatives certainly do, but do the patrons, who paid forty or more dollars to see professional actors, share their glee? I doubt it.

On consecutive nights this week I attended The 25th Annual Putnam County Spelling Bee at Actor's Playhouse and High Dive at The New Theatre and both featured audience participation. To their detriment. Both shows are rather...

Let's Hope They Try Again

By: Roger Martin atca on .

Justin McClendon, Scott Douglas Wilson, & Gladys Ramirez

Three young actors, just starting out on their professional careers are bringing Billboard to the Pelican Stage as the first full production of Miami's newest and youngest theatre company, The State Theatre Project. Unfortunately Billboard is not the right play to get things started.

Andy (Scott Douglas Wilson) sells the space on his forehead to a large corporation for one year. In return he gets a large advertising logo tattooed side to side above his eyes. And he gets a check for enough money to pay off his school loans and other debts.

His live-in girlfriend, Katelyn...

I Don't Mean To Offend You...

By: Roger Martin atca on .

Gregg Weiner, Karen Stephens, Brian D. Coats

Actors Kenneth Kay and Gregg Weiner discussing the declining grass growth rate in East Podunk or the saturation factor in a cocktail napkin would be a fascinating experience for anyone privileged to watch. Imagine then what happens when you toss them the inflammatory script of Clybourne Park now playing at Boca Raton's Caldwell Theatre. Simply good theatre.

Written by Bruce Norris and premiered at NYC' s Playwrights Horizons Theatre just last year, the show is split completely by its two acts. In the first, it's 1959 and Russ (Kay) and Bev (Patti Gardner) have just sold their...

The Orgasm Follies

By: Roger Martin atca on .

Laura Turnbull, Howard Elfman, Antonio Amadeo, Sharon Gless, Steve Anthony, Kim Ostrenko

Lights up at GableStage opening night and there's an attractive middle-aged woman, sprawled on her bed, facing the audience, laughing on the phone, and wanking away with obvious delight.

Why, it's TV star Sharon Gless as Jane Juska, A Round-Heeled Woman at GableStage, and for the next ninety minutes we're going to see the true story of Jane's late-life search for sex and love; both at the same time would be good. And that's tough to get, as we find out.

A divorced...

Taffetas and Cardigans Wear Well

By: Roger Martin atca on .

John Debkowski, Meredith Bartmon, Matt Falber, Rebecca Cesario, Garrett Bruce, Emily Senn, Andrew Oberstein, & Chloe Golden

A few phony tears and a couple of high pitched wails provide the only drama and that's just fine out at Broward Stage Door. You can sashay out there and catch A Taffeta Wedding and bam, you're back in the fifties and sixties and listening to “Sh-Boom,” “Shoop Shoop,”“Oop Shoop” and to reduce the spittle content, twenty-one other hits like “Sincerely,” “Hold Me, Thrill Me, Kiss Me,” and “Do You Wanna Dance.” And of course there's “Running Bear” and “Botch-A-Me” and “Put Your Head On My Shoulder.” And wait! There's more!

Rick Lewis wrote The Taffetas

FIZZLE

By: Roger Martin atca on .

Fizz Poster

It seems like a great idea. A play about the true story of a Cuban immigrant who rose to be the head of Coca Cola. Add that he introduced Diet Coke (hooray) and New Coke (boo hiss). Now put the play, written by Rogelio Martinez, on stage at New Theatre in Coral Gables with Carlos Orizondo in the lead role being directed by Ricky J. Martinez It's the comedy Fizz and it should light up the neighborhood.

Sorry, but it's a mess and that isn't solely the fault of New Theatre, although they don't help much. The original Fizz was showcased for two weeks Off-Broadway in 2006.

The show is played on a bare stage with cubicles of billowing cloth shoved around by...