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Manny About Town
Is Philip Glass a Synesthete?
By Manny Meland

Philip Glass |
Several years ago, I attended
Philip Glass’s presentation of his extra dimensional
opera Monsters of Grace at the Gusman Theatre in
downtown Miami. I was intrigued that upon entering the
theatre, we were issued plastic goggles, the type used
to view 3D images. Glass explored the color of his music
by combining the music with visual art. As the music
unfolded, we were treated to his stunningly beautiful
imagery that brought an incandescence to familiar
objects such as buildings, landscapes or, in a
breathtaking image, a bed turned into a glowing bar of
light that slowly tilted upright and was launched
skyward, accompanied by a flamboyant organ cadence.
My companion didn’t know what to make of this. The repeated
pulsing rhythmic patterns, melodic figures and chord progressions, the hallmark
of his style, found the same rhythms melodies and minor-key chords reappear in
piece after piece. I was thrilled by the sounds and colors that washed over me.
Here was something different and exciting. It was a production that required you
to pause to digest it. This experience begged the question: Is Philip Glass a
synesthete?
Philip Glass is one of the world’s best-known living
classical composers. He created the moving and hypnotic contemporary operas,
Einstein on the Beach, White Raven, Music in 12 Parts, etc.
Having listened to his music, I can’t help but wonder if he has synasthesic
tendencies. Synasthesia is a neurological condition whereby a person may be able
to see sounds, taste shapes, or read printed words in color.
To illustrate a synasthete’s
perception, we show British painter, David Hockney’s
synesthesia-inspired, phantasmagoric sets he created for
New York’s Metropolitan Opera in the 1980s. Hockney told
neurologist, Richard Cytowic, “When it came time to
paint the tree for Ravel, I put on the tree music from
the opera. It had a certain weight and color. The music
dictated the space.” Cytowic defined synesthesia as a
real and even enviable condition.
If Glass is indeed a synesthete, he is in good company. The Russian-born
novelist, Vladamir Nabokov, talked about the precise colors evoked by letters.
Russian composer Alexander Scriabin peppered his scores with notations, such as,
“luminosity and more and more flashing”. Russian abstract artist, Wasily
Kadinsky claimed this distinction in synesthesia and struck Europe at the dawn
of the 20th century.
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