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Fiction
The Wedding Favor
By Tina Koenig
Carl adjusted the lens’ aperture
settings on his Hasselblad camera compensating for any
stray-light reflecting off the Tahitian waters. He
carefully positioned a black accordion shade ensuring
that his large-format shots would be spot on as
befitting his reputation as a world-class fashion
photographer.
He hated shooting seaside. The sand and salt damaged his
equipment, breezes lengthened the sessions and the damn renegade reflections—he
couldn’t control anything. Tough. Other people had it tougher. These would be
the best shots of his life. He owed that to the clients.
Even though the format was less forgiving, he preferred it
when clients requested two and a quarter square negatives instead of the new
digital formats because it meant they understood the craft of image making.
The couple, Emmie and Daniel, was having a small wedding at
a resort on Moorea, one of the many islands dotting the South Seas. Family
members from both sides flew in, as did forty close friends.
As Carl fidgeted with his camera, the wedding planner
coaxed the bride and the groom toward a sandy spot between a stand of palm
trees. The trees jutted out over the ocean providing a dramatic backdrop for
their formal photographs.
Keeping tabs on couple’s appearance and posture was a
fashion stylist. Emmie’s hair was arranged in a partial updo leaving lingering
blonde curls cascading down to the middle of her back. The stylist reinstated
stray hair blown by the slight breeze, glossed Emmie’s crimson lips and applied
loose powder to her face cutting bright spots. She touched up the eyeliner on
Emmie’s wide-set aqua eyes, carefully curling her lashes every so often. The
bride wore no veil.
If Carl said the folds in Emmie’s wedding gown cast shadows
that were too strong, the stylist rearranged the fabric until it was
satisfactory. She brushed sand off the slacks of the groom’s trousers. As Carl
called out changes in position, the stylist gently folded Emmie’s fingers into
the groom’s palm, or around a bouquet of marmalade and white roses. She tilted
Emmie’s head by placing her palms on either side of her face making
ever-so-slight changes in its angle--backward, to the right, or to the left. She
would then make parallel the bride’s shoulders using gentle prods.
When the bride stirred, so did the
five million dollars worth of jewelry she wore. A five
carat pear-shaped diamond rested just above the plunging
sweetheart neckline of the wedding gown. Its discrete
chain, made of diamond encrusted platinum links in the
shape of nautilus shells, complemented the wedding
planner’s theme of the tropics. Earrings with a similar
motif hugged the bride’s lobes.
Emmie was glorious--as dazzling as any of the fashion
models and actresses Carl had photographed. Her choice of a canary yellow gown,
its box pleated skirt as broad as the sun itself, triumphed against the coral
white sand and sky. Equally striking was the groom--although his jade eyes and
bleached hair suggested more of an open collar print shirt with short sleeves
rather than the black tie and tails he was wearing. Carl, in fact, was the only
person dressed appropriately for the weather in a straw hat and Bermuda shorts.
A day’s growth of beard remained on his face after the long flight from London.
His shoulder-length hair was stringy; he desperately needed a haircut.
The couple smiled over and over again--the bliss of the day
radiating from their bodies. The fluidity and grace with which the couple
allowed themselves to be choreographed by Carl and the stylist was
inspirational. Occasionally one of the bride’s heels would get caught in the
sand causing her to stumble. Carl’s assistant found a piece of half-inch plywood
to place on the sand hidden beneath her gown. She never once lost her composure,
and simply leaned on Daniel for momentary support.
It was clear that Emmie and Daniel had practiced the
modeling exercises Carl had given to the wedding planner. The couple had
rehearsed their smiles for friends and family members so they could learn how to
feel which expressions looked the most attractive as assessed by those
watching.
To help the couple synchronize the timing of their
expressions, Carl had devised an audio system which beeped just as he was about
to squeeze the shutter release. It worked well and he obtained wonderful shots
except when someone blinked and he had to start over. Despite twenty years of
experience, this was the first assignment where the models’ body language gave
no warning of approaching blinks. On the upside, neither the bride nor the groom
complained of the sun being in their eyes.
While Carl took his pictures, family members and guests
complimented the beauty of the bride and the generosity of the jeweler for
donating the gems adorning her. The photographs would later appear in a national
magazine as part of a special wedding supplement. A major cosmetics company had
paid for the entire affair.
The photographs were Emmie’s parents’ idea. They wanted a
memory. Even though Emmie and Daniel would never see the pictures; they agreed
to pose.
Born sighted, Daniel was diagnosed
with retinitis pigmentosa when he was seven years old.
Neither of his parents was afflicted but it was in the
family. Genetic studies determined that the RP was on
his father’s side but nobody knew about it because his
grandfather had died fighting in World War II.
Emmie suffered occipital lobe damage in a car accident when
she was sixteen and the growth of scar tissue impaired all vision leaving only a
slight ability to differentiate between light and dark.
A Braille teacher in New York had introduced them.
When Carl leaned over for a few minutes to change the film
pack, the best man shouted over to Daniel, “Hey, you be careful walking out to
the honeymoon bungalow because a narrow bamboo plank is the only thing
separating you both from the bedroom and stinging coral below.”
Even though the crack was menacing, everyone giggled.
Carl keeps a photo of Emmie and Daniel in his wallet. Whenever he is shooting a
celebrity whose requests start amplifying into commands for no good reason other
than they’re used to getting away with abominable behavior, he pauses, takes out
the picture, and says, “Let me tell you about this couple I shot in Tahiti.” It
shuts them up.
Author Bio
Tina Koenig has written over one million words. This is an estimate, as no
writer would bother to keep track of such things. Otherwise, they might have
chosen to be a mathematician or financial analyst of some sort. These words
have not all been used for writing fiction, some have, in fact, been used to
write bad poetry, plays and commercial writing that pays better than
fiction. Either way, it's all good practice. (That's another 73 words right
there!) Ms. Koenig mentors writers through workshops held at the Florida
Center for the Book in Fort Lauderdale. Her next class will be a grammar
refresher for writers in March 2007. (For more info visit
broward.org/library) The
Wedding Favor originally appeared in the Broward Community College
literary magazine P'an Ku.

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