|
Behind the Scenes
 |
|
|
J. Barry Lewis |
|
Name: J. Barry Lewis
City of Birth: Georgetown, Kentucky
City of Residence: Lake Worth, Florida
Artistic Medium: Festival artistic coordinator and stage
director
Credits and Awards
Three-time recipient of the Carbonell Award for directing
Recipient of the 2005 Remy Award for Leadership and Service to Arts in South
Florida
How did you get into theatre?
My interest in theatre began with my studies in music, through years of studying
the piano and participating in various choral groups in both church and school
activities. The leap to the stage always seemed a logical one for me. I
completed my graduate work at Northwestern University, where I focused more on
directing then performance.
How many seasons have you worked with Summer Shorts?
This will be my third year as the Festival Artistic Coordinator. Prior to
that, I directed one play in the 2004 Festival.
What has been your experience working with Summer Shorts?
It has been both a pleasure and challenge putting together the annual
festival – a pleasure working with the extraordinary artists who make up the
company each year, and a challenge in putting together a artistic and critically
sound line-up of plays.
Because Summer Shorts is a festival of one-act plays, it requires a lot of
furniture choreography. Who does all that moving and arranging between the
plays?
Once preliminary rehearsals have been completed on the individual plays, I
then work with the production stage manager, the props coordinator and the set
designer to develop a preliminary “shift plot.” Working with the running crew (a
five or six person crew made up of members of the intern company) we choreograph
the placement of each furniture piece and each prop to maximize the shortest
time and most efficient process needed to strike and set each new scene. The
more complex the set requirements, the greater the difficulty in setting the
movement. The key is always to be as organized and efficient, creating a smooth
transition between scenes.
How do you make each move look both easy and entertaining?
Making it appear to the audience that the move is seamless requires a great
deal of rehearsal. These rehearsals are ultimately coordinated by the production
stage management team and are practiced for hours outside of the regularly
scheduled rehearsal time spent with the actors. It can be a nightmare in the
first attempt to get everything in the right space. I ask the crew to make a
mental picture of each scene as they rehearse and to think of each move as sort
of a “football play” working together as any well-oiled team does.
What design directives are needed to make each shift appear seamless?
Numerous discussions occur during the planning stages that take into
consideration the overall look and feel of the set. Once this concept is
finalized, the design necessarily dictates each set move. If the design is based
upon a very realistic look (i.e. a complete living room, a full kitchen, or
stadium bleachers, etc.) then the set change will require more bodies to
complete and take additional time in which to move on stage such large items. If
the set design is more suggestive rather then realistic, the set change can
usually require far less time and physical movement. We work closely with each
director in determining what needs each play requires and then work with the set
designer to figure out a plan that will meet those needs.
What are the specific challenges of Summer Shorts?
Working with nine actors, seven directors, six interns and a team of
designers, it is always a challenge to organize everyone’s schedule putting
together a rehearsal schedule is like putting together a giant puzzle where all
the pieces are same color.
What are the added challenges with the move to the Carnival Center?
This summer, for the first time, Summer Shorts will be performed
“in-the-round.” The new Studio Theatre allows for flexible seating and the
creative team decided to use the in-the-round set-up as a way of giving the
festival a new look.
What is the best thing about working in South Florida theatre?
The artists that call South Florida their home. Working with such talented
and creative individuals is a rare opportunity that I never grow tired of.
Upcoming productions:
12th Annual Summer Shorts Festival, produced by City Theatre
June 7 to July 8 at
Carnival Center for the Performing Arts in downtown Miami Call 305- 949-6722 or
visit
carnivalcenter.org/summershorts.
July 12-15 at Amaturo Theatre at Broward Center for the Performing Arts in
Fort Lauderdale. Call 954-462-0222 or visit
browardcenter.org/summershorts.
Also, I am scheduled to direct a production of A.R. Gurney’s play The Fourth
Wall for Palm Beach Dramaworks in West Palm Beach in December.
 |