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Behind the Scenes
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Margaret Morgan Ledford |
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Name: Margaret Morgan Ledford
City of Birth: Chattavegas (Chattanooga)
Tennessee
City of Residence: Miami
Occupation: Stage manager by paycheck,
director by calling.
Credits: I am still earning a living in
theatre, got to give me credit for that. Directed Orange Flower Water,
Desdemona: A Play About a Handkerchief, Buck Fever, Blue/Orange
and A Number, all at The Promethean Theatre in Davie.
How did you get into theatre?
I was bitten by the acting bug - like practically all of us - at a young
age, but thank goodness I grew out of that!
What inspired you to become a director?
It was more like I answered the call than was inspired. I have always
enjoyed telling stories and trying to show people how they look in my head.
What traits should one have to be a good director?
Being a good listener. Being quiet. Being able to see the story that the
playwright has written and then getting out of the way so that the story can
come through for an audience. Not that I have mastered these traits, but I see
them in great directors.
What are some specific skills you've picked up on the
job?
Everything. Practical experience teaches you everything. Perhaps learning
that failures are the best learning tool.
What is the most challenging thing about your job?
Talking to people. Talking to actors so that they understand what is I am
communicating in a way that each individual can hear because we don't all speak
the same language, even if it is English.
What production has offered you the most challenges?
Whatever the next play is. Each new world to create is a challenge and if
it is on the horizon, it is an unknown and therefore more challenging.
What have been your favorite productions to direct and
why?
I don't really have a favorite. I have been blessed with terrific producers
that gave me a chance to direct and then on top of that trusted me to do that.
Also I have been given the great gift of interesting scripts, actors that love
what they do and are great at it. Each piece is a new adventure. It would be
like comparing an African safari to an Egyptian archeological dig. Once in a
life time opportunities, but completely different and both fantastic.
What do non-theatre people ask most often when they
learn what you do?
Have you worked with anyone famous? Have you done a movie?
What is the funniest thing that's ever happened to you
on a production you
were directing?
I can't think of a thing. Boring, I know. Oh, the pressure!!
What's the worst thing that's happened?
Realizing that I communicated an idea poorly or in a way that offended an
actor.
What's the best thing about working in South Florida
theatre?
All the opportunities to learn from great talent. It is all around us here
under the sun.
Upcoming Productions:
Susan J. Westfall’s play Uprising at the 12th Annual Summer
Shorts Festival, produced by City Theatre, June 7 to July 8 at Carnival Center
for the Performing Arts in downtown Miami Call 305- 949-6722 or visit
carnivalcenter.org/summershorts.
July 12-15 at Amaturo Theatre at Broward Center for the
Performing Arts in Fort Lauderdale. Call 954-462-0222 or visit
browardcenter.org/summershorts.
Cyrano by Mark E Hayes. A modern telling of
this classic piece. Opens July 13 at The Black Box Theatre in Nova University's
Student Center. The Promethean Theatre is the professional company in residence
at Nova Southeastern University. Runs until July 29.
Call 786-317-7580 for information and reservations. Don’t miss this!
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