Events: Visual Arts
A Tribe From Wonderland
The Directed Art Modern is pleased to announce A Tribe from Wonderland, the next Stefano Ogliari Badessi Miami art project and solo exhibition at The DAM Gallery, and on the roads of Miami coming this December: I Don’t Know Where to Go.
- VIP OPENING NOVEMBER 29TH
- THIS EVENT RUNS THROUGH THE MONTH OF DECEMBER
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Stefano Ogliari Badessi, is a global artist who has traveled through international cities, presenting his art installations - yet once the installation is finished, he packs up the work, leaving no trace, no damage to the environment - this concern and respect for the environment is also what stimulates the work he will present in his solo exhibition in The DAM Gallery - the sculptures and objects are made from various materials, Italian silks, bamboo and other pliable woods that he searches for in nature, which he then ‘weaves’ into different animal shapes.The last time Stefano Ogliari Badessi was here, Miami saw him wrap Sugar at East Hotel with his Chinese Dream installation, an enormous red inflatable installation, completely altering the cityscape, temporarily. Now, he will bring a new installation from his Wonderland Project, last seen in Italy, and coming directly to Miami’s Little River District, at The DAM Gallery on November 29th for an intimate viewing. A Tribe from Wonderland, promises an immersive experience where visitors can experience his sculptures, inflatable installations all in the artist created space- becoming an environment of Self Discovery, Wonder, Ritual, Mystery and the Universe of One.
For I Don’t Know Where to Go, Stefano will create a large creature and bring it to the streets transforming the roads and side streets of Miami inviting the population to witness and ride with him as he brings art to the streets of Little River, The Design District, Wynwood and Edgewater inviting onlookers to see the work, cycle with him creating memories and moments that go beyond the aesthetic, but also takes into consideration the health of our planet - Ogliari Badessi in creating these creatures and by taking them out of their habitat, is also making statements about not only their endangered status, but also the reduction of their habitat - The animals that he selects to create for this project also draw inspiration from ancient and indigenous cultures, Stefano reinterprets symbolic shapes and beings and utilizes these forms as a path towards self discovery and through the construction of the works facilitates inner piece as ultimately, it is he who conquers and redefines the symbolic associations affixed to the monster - leaving the viewer with a new and more accepting path towards their own inner peace: all his animals have symbolic meanings - not just environmentally but also historically, individually and culturally.
This will be a specific and unique creature sculpture where Ogliari Badessi pays homage not only to the versatility of art but the world from which his materials come from - showing that art can be made from anything and can fit in with the landscape, and be part of the world in which the art inhabits.
The Directed Art Modern
350 NE 75th ST,
Alice Rahon: Poetic Invocations
The Museum of Contemporary Art North Miami (MOCA) is proud to present a new exhibition featuring works of French-Mexican surrealist painter Alice Rahon (1904–1987). “Poetic Invocations” is guest curated by Mexico-City based art historian Tere Arcq. The exhibition aims to contribute to the scholarship and recognition of under-explored women artists, and to the intercultural influences on European artists in exile in the Americas, whose work was often deeply marked by indigenous and archaic cultures.
Miami Art Week extended hours
- Sunday, December 1 – Monday, December 9, 10am-5pm
- Public Reception with Curator Teresa Arcq: Thursday, December 5, 8-11pm
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Born in France and later nationalized as a Mexican, Rahon joined the Parisian Surrealist circle as a poet, but once in Mexico, she turned her creativity mainly to painting. She became an active a member of a group of European Surrealists artists in exile including Remedios Varo, Benjamin Péret, Leonora Carrington, and Kati Horna.
Rahon’s production was a far cry from that of her contemporaries. She was drawn to light and color, and established a continuous dialogue between painting and poetry. Her creations brought together Mexican landscapes, myths, legends and fiestas, and she was a pioneer in the use of sand and texture on her canvases, which included subtle graffito markings. Her oeuvre has been overlooked for many years.
“Poetic Invocations” marks the first solo show dedicated to Rahon’s work in the United States in 55 years since her exhibition at the Louisiana Gallery in Houston, Texas in 1964. The exhibition examines a robust art-historical moment that emerged in 1940 as an international community of artists fled World War II in Europe and settled in Mexico. It will feature approximately 30 works including paintings, works on paper, assemblages, as well as archival material such as the Dyn journal, original poems and manuscripts and photographs to put an emphasis on RahonÂ´s oeuvre as a whole. The exhibition will explore five fundamental themes: art as poetic invocation, the power of the immemorial past, the journal that challenged limits, the volcano and the Mexican landscape and light: the dilution of inside and outside, and the metaphorical experience of the inside out: fiestas and popular art in Mexico.
Rahon exhibited regularly in Mexico, New York and California and had solo shows in Paris and Lebanon. Her last solo exhibition took place in 1986 at the Palacio de Bellas Artes in Mexico City, just a year before her death. In 2009, with the discovery of her archive, Teresa Arcq curated an Alice Rahon retrospective at the Museo de Arte Moderno in Mexico City and then at El Cubo in Tijuana.
Arcq has worked as chief curator at the Museo de Arte Moderno in Mexico City, and as an independent curator has produced many high-profile exhibitions. She has served as a professor of Art History at Centro de Cultura Casa Lamm and published several essays for catalogues on Mexican modern art and women artists in Mexico, as well as Surrealism. She is currently advising the exhibition and catalog for the show Global Surrealism opening in 2021 at the Metropolitan Museum of Art in New York and the Tate Modern Gallery in London. She is also collaborating with the Schirn Kunsthalle Museum in Frankurt and the Louisiana Museum of Modern Art in Denmark for the upcoming exhibition Fantastik Women, in Spring 2020 and writing for a publication on Leonora CarringtonÂ´s Tarot and one on Remedios Varo and Leonora CarringtonÂ´s creative collaboration. She will be co-curating a Leonora Carrington retrospective for the Mapfre Foundation in Madrid and the Arken Museum in Denmark opening on the fall of 2020.
Also on view at MOCA November 26, 2019 – March 29, 2020 will be the first major U.S. solo exhibition of influential Chilean-born artist Cecilia Vicuña: “Cecilia Vicuña: About to Happen.”
Museum of Contemporary Art, North Miami
770 NE 125th Street,
Art Africa Miami Arts Fair
A Retrospective commemorates nine years of social justice through diasporic arts. Art Africa's mission to showcase the art of the black diaspora continues to resonate throughout our local and global communities. The art fair is a cultural excursion during the Art Basel / Miami Art Week season that should not be missed. AAMAF encourages individuals to question the injustices shaping their lives and embolden them to find their call to action."Art has always been a tool to claim space, build power, and to question the injustices that have shaped our social experiences," states Neil Hall, Founder, Art Africa Miami Art Fair.
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Public Hours: Wednesday, December 4th-8th, Noon-7pm, and Sunday, December 8th, Noon-5pm. Special events are as follows. Additional exciting updates are forthcoming.
Schedule - Please check website for any changes or additional information
DEC.03 ART + CHAMPAGNE
VIP First Look & Press Preview | 11:30am - 2:00pm
Don't miss this exclusive experience to join us for delectable brunch bites and a champagne mimosa bar as we present our ninth edition: Art Africa Miami, a retrospective. Preview the works of some of the most prolific of emerging and established artists to the sounds of Brazilian jazz and afro beats. Specialty festive coffee bar presented by Baileys Liquor. Don't miss this unique occasion in the heart of Historic Overtown!
DEC.04-Opening night ART + FASHION
THE BLACK PARTY | 8 pm-midnight
Join us for the not-to-be-missed dance party of the week! Moving black art beyond paintings and sculptures, we are the art. Black Attire encouraged as we welcome you to the process of developing Historic Overtown as a site of contribution to the development of the arts throughout Miami. This year will be a 90s throwback with a DJ spinning ole' school hip hop, reggae, and R&B. Ticketed Event. Open bar presented by Ciroc Vodka.
DEC.05 ART + COMMUNITY
The Annual Art + Community Talk by Art Africa Director, Neil Hall | 6 pm
This presentation is designed for community involvement in the transformation of neighborhoods through the arts. Here, the community is not foreign to the arts; it is in it, it participates to its vitality; what comes out is a call and response rhythming the black aesthetic experience — included with the daily pass — Open Bar presented by Ciroc Vodka.
DEC.06 ART + YOUTH
Art Africa Youth Art Insiders presents "Expressive Arts for Social Justice" | 4-6 pm
Our annual after-school workshop welcoming in Overtown youth to have an interactive experience.
DEC 07 ART+Culture
Presenting thought-provoking discussions on the role of Art in communities and in the revitalization of our heritage neighborhoods. Bar by Ciroc.
Plaza at the Lyric
919 Northwest 2nd Avenue,
Art Basel Miami Beach
Welcome to the 2019 edition of the Art Basel show in Miami Beach. The show's Online Events Calendar is now live.
Miami Beach Convention Center
1901 Convention Center Drive,
Art Basel Miami Beach 2019
Saturday, Dec 7, 2019 from 8:00 PM to 11:00 PM - English
The Betsy-South Beach Announces Exhibitions Opening for Art Basel Miami Beach
to include work by Iké Udé, Michael Halsband, Pete Turner, Andy Sweet,
Ricardo Cavolo, Robert Zuckerman, and Sevan Bicakci
The Betsy Hotel (website) announces FACING OURSELVES: PAST AND PRESENT, curated by The Betsy’s coowner,
Lesley Goldwasser in 25,000 sq ft of exhibition space. The show opens on December 2, 2019, with a property
wide opening on December 6 at 9 PM that includes a poetry reading by Inaugural Poet, Richard Blanco.
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FACING OURSELVES: PAST AND PRESENT for Art Basel Miami Beach 2019 @ The Betsy Hotel includes work by:
- Ike Ude (1962)– images from the Sartorial Anarchist, including a portrait of curator, Lesley Goldwasser.
Ude focuses on issues of representation and construction of identity.
- Michael Halsband (1956) – images from the Basquiat/Warhol series, and more.
The world’s leading portrait artist curates a collection from his storied career
- Pete Turner (1934-2017) – images from a collection called The Color of Jazz
Turner was recognized as a pioneer in color photography.
- Andy Sweet (1953-1982)– images from The Last Resort collection; words by Inaugural Poet, Richard Blanco (b. 1968)
Sweet immortalized the life of Holocaust survivors on Miami Beach.
- Andrew Kaufman’s archival presentation about Muhamed Ali’s as a Miami Beach Champ
Kaufman developed and compiled this collection by iconic historic peer artists.
- Sevan Bicakci (1972) –sculpture within gemstones from Turkey’s most famous artisan/craftsman.
Bicakci produces signature one-of-a-kind wearable Byzantine and Ottoman style works of art.
One of his iconic works (featured in the show) is an inverted self-portrait carved into a ring.)
In addition, throughout The Betsy’s hallways, and stairways, the hotel will feature the celebrity and art photographs of
Robert Zuckerman, and a collection of more than 250 seldom seen images of The Beatles and Rolling Stones from the Bob
Bonis Collection. Illustrations by Ricardo Cavolo from his collection, 101 Musicians to Listen to Before You Die are
presented in 26 light boxes. A new permanent installation of iconic Andy Sweet images will be installed in one of the hotel
elevators, mirroring and remembering guests who might have frequented elevators at The Betsy Ross Hotel in earlier
years – when Miami Beach was a post war haven for Holocaust survivors enjoying their golden years in sun and sand.
In the breezeway between Ocean Drive and Collins are The Betsy’s two public art installations – The Betsy Orb and The
Betsy Poetry Rail. Sandwiched in between those two pieces and visible through the windows are two iconic works by
artist/actor Val Kilmer – one a photograph of David Bowie and mixed media piece called Neon Gandhi. And finally, dogloving
guests are invited to a small underground gallery located behind the hotel check-in desk to see images by global
dog photographer, Carlos Andres Cruz, that immortalize The Betsy’s Canine Executive Officers, Katie and Betsy.
Dr. Deborah Willis, MacArthur Genius Winner and Chair of the Photography Department at New York University will host
two art salons is planned during Art Basel Miami Beach, to include conversations with participating artists Ike Ude, Michael
Halsband, Ed Cristin and Andrew Kaufman – to take place at 2 PM on December 5 and 5, 2019. Additionally, two invitation
only round-tables will feature conversations about the links between artisan craft and fine art, as exemplified in the work
of featured sculptor Sevan Bicakci. Artists Ike Ude and Michael Halsband will all be in residence, in partnership with The
Betsy Writers Room, the hotel’s ongoing artist in residence program (website).
The Betsy South Beach
1440 Ocean Drive,
Black Power Naps/Siestas Negras by MOAD MDC
MOAD MDC presents Black Power Naps-Siestas Negras by Navild and Sosa, a multi-sensory, interactive installation designed to provide joyful and relaxing relief from fatiguing systems of inequality. The installation will serve as a platform for several special live events, including Guided Nap Meditations led by the artists and live DJ soundscapes performed from bed. Black Power Naps-Siestas Negras invites visitors to lounge on a variety of embellished beds, replete with gauzy canopies, serene lighting, therapeutic sound vibrations, and other restorative props. Correlating the exhaustion tactics once used to subjugate slaves with contemporary systems of exploitation and erosive fatigue, artists Navild and Sosa offer this energetic repair as a way to reclaim laziness and idleness as power for those historically deprived of it.
Museum admission and open-to-the-publicMuseum admission: $12 adults; $8 seniors and military; $5 students (13–17) and college students (with valid ID); free for MOAD members, MDC students, faculty, and staff, and children 12 and under. Accessibility challenges: please call for details.
MDC Museum of Art and Design
600 Biscayne Boulevard,
Botero On Lincoln Road
The Mayor and City Commission of Miami Beach, Nader Art Museum, The New World Symphony, and the Lincoln Road Business Improvement District request the honor of your presence at the opening Botero On Lincoln Road.
A spectacular assemblage of monumental works
by the world's most important living artist.
Gary Nader's collection of monumental sculptures by Fernando Botero, one of the world's most iconic and recognized masters worldwide,
will be exhibited on Lincoln Road.
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Join us for the exclusive and private unveiling invitation only event!
Botero's monumental sculptures have been exhibited on the Champs-Élysées in Paris, Park Avenue in New York City, the Museum of Modern Art in Copenhagen, and the Palazzo Venezia in Rome.
followed by an unveiling of Donna Sdraiata, (2016 Bronze) at the intersection of Lincoln Road and Drexel Avenue. Culminating with music by the
New World Symphony Fellows and cocktails and dining at Time Out Market.
New World Center
500 17th Street,
Cecilia Vicuna: About To Happen
Saturday, December 7: Cecilia Vicuña performance, followed by a conversation with the artist and co-curators Andrea Andersson The Helis Foundation Chief Curator of Visual Arts at the CAC, and Julia Bryan-Wilson, Professor, University of California, Berkeley
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In celebration of Miami Art Week 2019, the Museum of Contemporary Art North Miami (MOCA) will present the first major U.S. solo exhibition of influential Chilean-born artist Cecilia Vicuña. “About to Happen” traces Vicuña’s career-long commitment to exploring discarded and displaced materials, peoples, and landscapes in a time of global climate change,
“Cecilia Vicuña: About to Happen” is comprised of Vicuña’s multidisciplinary work in performance, sculpture, drawing, video, text, and site-specific installations created over 40 years. Reframing dematerialization as both a formal consequence of 1960s conceptualism and radical climate change, the exhibition examines a process that shapes public memory and responsibility. Operating fluidly between concept and craft, text and textile, Vicuña’s practice merges dissimilar disciplines and communities with shared relationships to land and sea, and to the economic and environmental disparities of the 21st century.
Vicuña’s work reflects the overlapping dialogs of conceptual art, land art, poetry, and feminist art practices. For the first time in this traveling exhibition, the show will include painting, a practice which Vicuña began in the 1970s and to which she has recently returned – in some cases, repainting lost paintings from memory. The addition of painting to “Cecilia Vicuña: About to Happen” is an affirmation of a practice that exists, in its entirety, in the logic of every single work – and yet – is also, always evolving.
The exhibition will include an expansive presentation of Vicuña’s precario sculptures, which the artist began creating in 1966. Vicuña assembles these “precarious works” from bits of wood, thread, and other found objects into temporary small sculptures that despite their modest scale have a surprising dynamism and energy. The exhibition also features the installation “Burnt Quipu” (2018), in which lengths of dyed wool hang floor to ceiling, connecting earth and sky, in tribute to recent forest fires in the greater West Coast region. “Burnt Quipu” is part of Vicuña’s longstanding artistic exploration of the ancient Andean writing tradition of “talking knots,” an advanced communication system inhibited during colonization.
Born in Santiago de Chile, Vicuña is a poet, visual artist, and filmmaker. She is the author of more than 20 books of poetry, and exhibits and performs internationally. Her multidimensional works begin as an image that becomes a poem, a film, a song, a sculpture, or a collective performance.
Vicuña’s work is included in the collections of The Tate Gallery, London; Museo de Arte Contemporáneo de Chile, Santiago, Chile; MoMA, the Museum of Modern Art, New York. She was appointed Messenger Lecturer 2015 at Cornell University, an honor bestowed on authors who contribute to the “Evolution of Civilization for the special purpose of raising the moral standard of our political, business, and social life.” She lives in New York City, where she co-founded oysi.org, a site for the oral cultures and poetries of the world. Vicuña’s work is represented by Lehmann Maupin, New York, Hong Kong, and Seoul. Vicuna’s art has also been featured inDocumenta 14 and shown at Witte de With. She most recently was awarded the CINTAS, a very prestigious United States artist fellowship.
“Cecilia VicunÌƒa: About to Happen” is organized by the Contemporary Arts Center, New Orleans (CAC), and co-curated by Andrea Andersson, The Helis Foundation Chief Curator of Visual Arts at the CAC, and Julia Bryan-Wilson, Professor, University of California, Berkeley. Support for this exhibition is provided by Sydney & Walda Besthoff Foundation, The Helis Foundation, The Kabacoff Family Foundation, and the Louisiana Endowment for the Humanities, the state affiliate of the National Endowment for the Humanities. The exhibition is accompanied by a catalog.
The exhibition at MOCA is made possible, in part, with support from Funding Arts Network and Citizens Interested in the Arts. MOCA’s exhibitions and programs are made possible with the continued support of the North Miami Mayor and Council and the City of North Miami, the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture, and Miami-Dade County Tourist Development Council, the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.
Also on view at MOCA November 26, 2019 – March 29, 2020, a new exhibition featuring works of French-Mexican surrealist painter Alice Rahon (1904–1987). Guest curated by Mexico-City based art historian Teresa Arcq, “Poetic Invocations,” marks the first solo show in 55 years dedicated to Rahon’s work in the United States.
Museum of Contemporary Art, North Miami
770 NE 125th Street,
Contemporary & Digital Art Fair
Discover and connect with the world’s most important galleries, artists, and collectors in the digital art market.
CADAF supports the expansion of new media art through a dedicated program of exhibitions and talks to proudly nurture the most exciting talent in cultural innovation.
CADAF Fair Hours:
- Opening Party and Exhibition Previews: Thursday, Dec. 5, 2019: 6-11 p.m.
- General Admission.
Friday, Dec. 6, 2019: 10:30 a.m – 6:30 p.m.
Saturday, Dec. 7, 2019: 11:30 a.m – 6:00 p.m.
Sunday, Dec. 8, 2019: 11:30 a.m – 5:00 p.m.
Mana Wynwood C&L Building
2400 NW 5th Ave,
Etra Fine Art Presents, Ciudades
Etra Fine Art located in Miami’s Little Haiti and Little River Art District announces its Art Basel/Miami Art Week multimedia exhibition, Ciudades. This multimedia exhibition will be made up of paintings, music, an installation, sculptures, photography, videos, poetry and essays. Alicia Restrepo, Curator and owner of Etra Fine Art, uses the cities as symbols, differently represented by world known artists, to stimulate a dialog over the most pressing issues of today. Participating artists include: 2501; Ana Maria Gutierrez; André Cypriano; Andriy Halashyn; Francis Hines; Juan Raul Hoyos; and Valeria Yamamoto.
The Opening Reception will take place from Noon to 4:00 p.m. on Sunday, December 1st and Etra Fine Art will be open extended hours during Miami Art Week.
- Opening Reception: Sunday, December 1, 2019 from 12:00 – 4:00 p.m.
- Closes: Tuesday, January 28, 2020
- During Miami Art Week (December 3-6): 11 am to 5 pm, Tuesday to Friday and other days by appointment.
Etra Fine Art
6942 NE 4th Ave,
Grit Daily Live - Miami Art Summit
Saturday, Dec 7, 2019 from 1:00 PM to 6:30 PM - English
- Miami Artzine FOLLOWERS!
- Use this promo code MiamiArtZine_T and get a 25% DISCOUNT!
Grit Daily Live! Miami Art Summit speakers have a combined social media following of over 50 million. Shouldn't you be there?
This year, Grit Daily Live! Miami Art Summit hosted by JADA Immersive Art brings epic, live journalism in an immersive art space in Miami. Don't forget the VIP breakfast, speaker's dinner, and Miami's hottest after party!
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We kick it off with Registration + Champagne
Hosted by JADA on North Beach Miami, Grit Daily ups Miami's content game asking the real questions around expression, identity, and the gritty side of art and business.
Grit Daily Live! unpacks the core of art in the 21st century both with industry creators and journalists who study the field.
Grit Daily's team formerly CNN, Forbes, The Wall Street Journal, Fast Company, Vice, Verge, and Vox will analyze art, brands, interactions and the top artists to explain it.
What can you expect?
Over two days of action packed content, we aim to immerse you in art in ways that have never been tested, make you question your beliefs about the de beautification of art, help you utilize art as a tool to increase your well being, productivity and health and tell the story of where we have been, where we are, and where art might be taking us.
We got you covered with coffee + whipped cream and Peach Bellini breaks!
Names you cannot miss:
- Bradley Theodore
- Timo Weiland
- Dana Blickensderfer
- Jeff Castillo
- Jonatas Chimen
- Kevin Reed
- Helmut Koller
- Stephanie Agudelo
- Gareb Shamus
- Marcel Katz
- Nima Veiseh... and more.
We invite all to come to Grit Daily's after party, ticketed separately, an unstructured setting for creative minds to learn, grow and have a drink, or two, or three. Get your Miami Night Life onÂ After Party. Saturday night we bring down the house with one of the top DJs in South Florida in an unforgettable experience with new acquaintances and your friends.
See you there!
Jada Immersive Art
1250 Normandy Dr,
Haegue Yang: In the Cone of Uncertainty
In the Cone of Uncertainty foregrounds Haegue Yang’s (b. 1971, Seoul) consistent curiosity about the world and tireless experimentation with materializing the complexity of identities in flux. Living between Seoul and Berlin, Yang employs industrially produced quotidian items, digital processes, and labor-intensive craft techniques. She mobilizes and enmeshes complex, often personal, histories and realities vis-a-vis sensual and immersive works by interweaving narrative with form. Often evoking performative, sonic and atmospheric perceptions with heat, wind and chiming bells, Yang’s environments appear familiar, yet engender bewildering experiences of time and place.
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The exhibition presents a selection of Yang’s oeuvre spanning the last decade – including window blind installations, anthropomorphic sculptures, light sculptures, and mural-like graphic wallpaper – taking its title from an expression of the South Florida vernacular, that describes the predicted path of hurricanes. Alluding to our eagerness and desperation to track the unstable and ever-evolving future, this exhibition addresses current anxieties about climate change, overpopulation and resource scarcity. Framing this discourse within a broader consideration of movement, displacement and migration, the exhibition contextualizes contemporary concerns through a trans-historical and philosophical meditation of the self.
Given its location in Miami Beach, The Bass is a particularly resonant site to present Yang’s work, considering that over fifty percent of the population in Miami-Dade County is born outside of the United States, and it is a geographical and metaphorical gateway to Latin America. Yang has been commissioned by the museum to conceive a site-specific wallpaper in the staircase that connects the exhibition spaces across The Bass’ two floors. This wallpaper will be applied to both transparent and opaque surfaces to accompany the ascending and descending path of visitors within the exhibition. Informed by research about Miami Beach’s climatically-precarious setting, the wallpaper, titled Coordinates of Speculative Solidarity (2019), will play with meteorological infographics and diagrams as vehicles for abstraction. Interested in how severe weather creates unusual access to negotiations of belonging and community, as well as the human urge to predict catastrophic circumstances, the work reflects a geographic commonality that unconsciously binds people together through a shared determination to face a challenge and react in solidarity.
Yang’s exhibition encompasses galleries on both the first and second floors of the museum and exemplifies an array of Yang’s formally, conceptually ambitious and rigorous body of work. Considered an important ‘Light Sculpture’ work and one of the last made in the series, Strange Fruit (2012-13) occupies one of the first spaces in the exhibition. The group of anthropomorphic sculptures take their title from Jewish-American Abel Meeropol’s poem famously vocalized by Billie Holiday in 1939. Hanging string lights dangling from metal clothing racks intertwined with colorfully painted papier-mÃ¢ché bowls and hands that hold plants resonate with the poem’s subject matter. The work reflects a recurring interest within Yang’s practice, illuminating unlikely, less-known connections throughout history and elucidating asymmetrical relationships among figures of the past. In the story of Strange Fruit, the point of interest is in a poem about the horrors and tragedy of lynching of African-Americans in the American South born from the empathies of a Jewish man and member of the Communist party. Yang’s interests are filtered through different geopolitical spheres with a keen concentration in collapsing time and place, unlike today’s compartmentalized diasporic studies.
Central to In the Cone of Uncertainty is the daring juxtaposition of two major large-scale installations made of venetian blinds. Yearning Melancholy Red and Red Broken Mountainous Labyrinth are similar in that they are both from 2008, a year of significant development for Yang, and their use of the color red: one consists of red blinds, while the other features white blinds colored by red light. With its labyrinthine structure, Red Broken Mountainous Labyrinth bears a story of the chance encounter between Korean revolutionary Kim San (1905-1938) and American journalist Nym Wales (1907-1997), without which a chapter of Korean history would not survive to this day. Yearning Melancholy Red references the seemingly apolitical childhood of French writer and filmmaker Marguerite Duras (1914-1996). While living in French Indochina (present-day Cambodia, Vietnam, and Laos), Duras and her family experienced a type of double isolation in material and moral poverty, by neither belonging to the native communities nor to the French colonizers, embodying the potentiality for her later political engagement. Despite their divergent subject matter, both works continue to envelop an interest in viewing histories from different perspectives and the unexpected connections that arise. By staging the two works together, what remains is Yang’s compelling constellation of blinds, choreographed moving lights, paradoxical pairings of sensorial devices – fans and infrared heaters – and our physical presence in an intensely charged field of unspoken narratives.
A third space of the exhibition will feature work from Yang’s signature ‘Sonic Sculpture’ series titled, Boxing Ballet (2013/2015). The work offers Yang’s translation of Oskar Schlemmmer’s Triadic Ballet (1922), transforming the historical lineage of time-based performance into spatial, sculptural and sensorial abstraction. Through elements of movement and sound, Yang develops an installation with a relationship to the Western Avant-Garde, investigating their understanding in the human body, movement and figuration.
Observing hidden structures to reimagine a possible community, Yang addresses themes that recur in her works such as migration, diasporas and history writing. Works presented in In the Cone of Uncertainty offer a substantial view into Yang’s rich artistic language, including her use of bodily experience as a means of evoking history and memory.
Haegue Yang lives and works in Berlin, Germany and Seoul, South Korea. She is a Professor at the Staedelschule in Frankfurt am Main. Yang has participated in major international exhibitions including the 21st Biennale of Sydney (2018), La Biennale de Montréal (2016), the 12th Sharjah Biennial (2015), the 9th Taipei Biennial (2014), dOCUMENTA (13) in Kassel (2012) and the 53rd Venice Biennale (2009) as the South Korean representative.
Recipient of the 2018 Wolfgang Hahn Prize, she held a survey exhibition titled ETA at the Museum Ludwig in Cologne in the same year, which displayed over 120 works of Yang from 1994-2018. Her recent solo exhibitions include Tracing Movement, South London Gallery (2019); Chronotopic Traverses, La Panacée-MoCo, Montpellier (2018); Tightrope Walking and Its Wordless Shadow, La Triennale di Milano (2018); Triple Vita Nestings, Govett-Brewster Art Gallery, New Plymouth, which travelled from the Institute of Modern Art, Brisbane (2018); VIP’s Union, Kunsthaus Graz (2017); Silo of Silence – Clicked Core, KINDL – Centre for Contemporary Art, Berlin (2017); Lingering Nous, Centre Pompidou, Paris (2016); Quasi-Pagan Serial, Hamburger Kunsthalle (2016); Come Shower or Shine, It Is Equally Blissful, Ullens Center for Contemporary Art, Beijing (2015); and Shooting the Elephant è±¡ Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul (2015). Forthcoming projects include the Museum of Modern Art (October 2019), Tate St. Ives (May 2020) and Art Gallery of Ontario in Toronto (2020).
Yang’s work is included in permanent collections such as the Museum of Modern Art, New York, USA; M+, Hong Kong, China; National Museum of Modern and Contemporary Art, South Korea; Tate Modern, London, UK; The Solomon R. Guggenheim Museum, New York, USA; and The Walker Art Center, Minneapolis, USA. Her work has been the subject of numerous monographs, such as Haegue Yang: Anthology 2006–2018: Tightrope Walking and Its Wordless Shadow (2019); Haegue Yang: ETA 1994–2018 (2018); Haegue Yang – VIP’s Union (2017); and Haegue Yang: Family of Equivocations (2013).
Bass Museum of Art
2100 Collins Avenue,
José Carlos Martinat: American Echo Chamber
For PAMM's double-height gallery, Jose Carlos Martinat created American Echo Chamber (2018), an installation that responds to the amplification and reinforcement of ideas in the current social and political landscape. This large-scale work is composed of mechanical light sculptures that collectively generate a dramatic and entertaining space for visual consumption. The sculptures are inspired by symbols of both American and Peruvian cultures ranging from historical images such as the political cartoon "Join, or Die" attributed to founding father Benjamin Franklin to popular internet memes. These symbols are often composed of images related to violence, manipulation, racism, or migration. The artist also includes artisanal pyrotechnic castle fireworks from Lima. By creating a space that amplifies the consumption of these symbols, Martinat compares the contemporary political scene to an echo chamber, emphasizing a dynamic in which people seek information from media outlets that reinforce their beliefs as an unconscious exercise of validation and prejudice.
Pérez Art Museum Miami (PAMM)
1103 Biscayne Blvd,
Leandro Erlich's Order of Importance
Stop by the oceanfront at the end of Lincoln Road for a once in a lifetime spectacle by acclaimed conceptual artist Leandro Erlich, kicking off the beach's art season with a bang.
Erlich's witty and powerful rendition of 21st Century traffic transforms over 100 yards of beachfront into a truly monumental installation. Utilizing 66 life-sized sand cars, the work is the largest the artist has ever undertaken.
Free and open to the public.
1 Lincoln Road
1111 Lincoln Road,
Les Lalanne at The Raleigh Gardens
Honoring the late French artist Claude Lalanne, and her husband and collaborator François-Xavier Lalanne, Les Lalanne at the Raleigh Gardens is a temporary public art installation presented in the famed Gardens of The Raleigh Hotel, one of Miami Beach’s most celebrated Art Deco properties, opening to public November 22, 2019.
Animating a half-acre of the renowned Raleigh site and boardwalk, this public tribute to the late French artists is being presented by real estate developer Michael Shvo, and the garden was designed by the exceptional talent-pairing of architect and Lalanne collector, Peter Marino, with Miami landscape designer, Raymond Jungles.
This lyrical collaboration weaves together a fantastical sculpture garden animated by Claude and Francois-Xavier Lalanne’s surrealist, prized sculpture with tropical vegetation. Testimony to a profound legacy, this collaboration sources over 39 pieces from the international collections of private collectors Michael Shvo, Jane Holzer, Peter Marino, and gallerists Ben Brown, Jean Gabriel Mitterand, and Paul Kasmin.
The exhibition will be free and open to the public from November 22, 2019 – February 29, 2020
Gardens at The Raleigh Hotel
1775 Collins Ave,
Sober Collective Art Gallery
Eight of Holland’s greatest creative minds join forces to create a visual playground in Sober Collective's pop-up art gallery in Wynwood.
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About this Event
They’ve crossed the ocean for Miami’s biggest art festival of the year. Eight of Holland’s greatest creative minds have joined forces to create a visual playground in their pop-up art gallery in the heart of Wynwood during Miami Art week 2019. Known for their public art projects and street art exhibitions with world’s most prolific artists at their gallery in Rotterdam and around the world, Sober Collective Art Gallery brings their pop-up exhibition to Miami.
During Miami Art Week from Dec 1-8, the exhibit will be open to guests from 10 a.m.-12 a.m. From December 9-30, it will be open from 12 p.m.-10 p.m. on Mondays and Tuesdays and from 10 a.m. - 11 p.m. Wednesday-Sundays.
Known as “The Dutch Master of Light,” Tim Boin curated this selection of 8 of the best Dutch street artists in cross-combination with his own solo exhibition ‘Geometry is Life’ at the W South Beach during Miami Art Week. His group of artists all excel in bold, abstract and unconventional large-scale work found internationally and celebrated globally.
About the Artists:
Tim Boin: Conscious elements are at the root of Tim’s message. Celebrated for his larger-than-life sculptures, he depicts the ecosystem’s sensitive state. Using 3D Mapping, Tim literally and figuratively sheds light on his geometric sculptures of endangered species in his most recent work.
Digital Does: He focuses on collecting pieces from past walls and reshaping them into a new form to use as core elements in his new pieces. He perpetuates the past and makes new work traceable to a specific google coordinate of a bygone wall. From China to Mexico and Australia to New York, his work has been found all across the globe.
Said Kinos: His work expresses a fascination for the way people communicate with each other. It’s recognizable by his high-contrast use of distorted typography. His visual overkill is a metaphor for the amount of information we have to process on a daily basis.
Telmo Miel: This creative duo evolved from creating individual pieces on one mural into developing one image, one composition together. They focus on playfulness in abstraction of reality; attempting to make the viewer see opposite perspectives and subjects with a different eye.
Joram Roukes: Using juxtapositions of imagery, he creates abstract narratives and figures that evoke introspection and contemplation. His work gained attention from several international galleries, and he actively paints large-scale murals across the globe, including Copenhagen, Paris, Berlin, San Francisco, New York, Los Angeles and London, to name a few.
Bier & Brood: Inspired by machines, nature and architecture, they possess a unique style, often interpreted as sinister and apocalyptic. Their preferred mediums include highly detailed pen drawings, spray-cans and paint for their large-scale work.
Mossy Giant: He has a slightly neurotic fascination with detailed line-work and stories within stories. Not made for the easily distracted, recurring themes in this work include nature, man, beast & machine.
Zevous: His company, Dutch Deco Finish, specializes in wall and furniture finishes for amusement parks and large festivals, which has led to over a decade of developing relationships with artists worldwide; and after these artists began approaching him to commission exclusive works of art, it has inspired him to create his own extensive portfolio.
Dutch DJ Damoulis is setting sound waves to this visual playground, mastering in Miami-favorite sounds like Afrobeats, AfroHouse, Latin and Dutch urban music and dancehall.
Sober Collective Art Gallery
80 Northeast 29th Street,
Breakfast in the Park with Petah Coyne
Sunday, Dec 8, 2019 from 9:30 AM to 12:00 PM - English
Contemporary artist Petah Coyne will be our featured speaker this year. Known for her elaborately detailed assemblages that hang from ceilings and erupt from the floor, Coyne uses molten wax, silk flowers, sumptuous fabric, and pristine taxidermy to create works that evoke gothic narratives and the excess of the Rococo.
Patricia & Phillip Frost Art Museum
10975 SW 17th Street,
Annual Botanical Bazaar
Sunday, Dec 15, 2019 from 11:00 AM to 4:00 PM - English
Why stress out at the mall??? Come shop under the palms and enjoy a day filled with activities for the entire family. Join us for the Garden Annual Botanical Bazaar, featuring local artisans selling not just only botanically themed products, candles, clothing, accessories but much much more. Enjoy delicious
snacks beverages and relax in this one of a kind shopping expirience. There will be free children's art workshops, holiday music, yoga and mindful breathing demonstrations throughout the day. Check out some of the amazing gift ideas that will thrill everyone on your shopping list.
Miami Beach Botanical Gardens
2000 Convention Center Dr.,
Jason Bishop – Illusionist
Saturday, Feb 1, 2020 at 7:00 PM - English
Jason Bishop has been called the hottest illusionist of his generation, performing his awe-inducing original show at major venues across the U.S. and Europe, and opening for stars like Drake and Kesha.
South Miami-Dade Cultural Arts Center
10950 SW 211 ST,
The Amazing Max (1st Show)
Saturday, Feb 8, 2020 various times - English
Max is known for his extraordinary skills as a magician and also for his ability to entertain adult audiences while keeping the little ones spellbound. Max combines magic and comedy, making objects appear and disappear and generally defying the laws of physics inches from theatergoer’s faces. This high-energy, interactive and all-around silly show is appropriate for audiences of all ages.
Miami Theater Center
9806 NE 2nd Ave,